Allow Original artwork
This piece captures the chaotic rhythm of the subconscious—colors collide and dissolve like fleeting memories, while shapes drift between structure and entropy. It feels like a glimpse into the liminal space where emotions breathe, unspoken but deeply felt. The interplay of bold strokes and soft gradients invites viewers to lose themselves, to find meaning where none is fixed, and to embrace the beauty of ambiguity.
This was my first abstract painting while I was recovering from burnout. It has a lot of sentimental meaning to me, as this was a new way to allow myself to take risks, to paint without thinking about the result, and somehow, it got more than I was expecting. It has a lot of layers and dimensions.
This piece captures the chaotic rhythm of the subconscious—colors collide and dissolve like fleeting memories, while shapes drift between structure and entropy. It feels like a glimpse into the liminal space where emotions breathe, unspoken but deeply felt. The interplay of bold strokes and soft gradients invites viewers to lose themselves, to find meaning where none is fixed, and to embrace the beauty of ambiguity.
This was my first abstract painting while I was recovering from burnout. It has a lot of sentimental meaning to me, as this was a new way to allow myself to take risks, to paint without thinking about the result, and somehow, it got more than I was expecting. It has a lot of layers and dimensions.
This piece captures the chaotic rhythm of the subconscious—colors collide and dissolve like fleeting memories, while shapes drift between structure and entropy. It feels like a glimpse into the liminal space where emotions breathe, unspoken but deeply felt. The interplay of bold strokes and soft gradients invites viewers to lose themselves, to find meaning where none is fixed, and to embrace the beauty of ambiguity.
This was my first abstract painting while I was recovering from burnout. It has a lot of sentimental meaning to me, as this was a new way to allow myself to take risks, to paint without thinking about the result, and somehow, it got more than I was expecting. It has a lot of layers and dimensions.
